If you are searching for accurate bass tabs and sheet music for “Come Away With Me” by Norah Jones, mastering the feel of this track is all about smooth phrasing and playing deep in the pocket. Bassist Lee Alexander anchors this jazz-pop classic with a gorgeous, understated upright bass line that perfectly outlines the C Major harmony without ever overcrowding the vocal. Below, you will find the officially licensed sheet music, my personal Session Notes on how to capture that warm acoustic tone, and the original track to play along with.
Listen To The Original Track
Before diving into the sheet music, press play below and listen to how warm and restrained Lee Alexander’s upright bass tone sits in the mix.
Song Structure:
- 0:00 – Intro: The upright bass establishes the waltz feel immediately, playing warm root notes beneath the piano and brushed snare.
- 0:23 – Verse 1: The vocal enters, and the bass continues to gently anchor the C Major harmony.
- 0:46 – Verse 2: The groove remains incredibly consistent and deep in the pocket.
- 1:06 – Chorus 1: Listen for how the bass line slightly opens up to support the vocal melody.
- 1:26 – Verse 3: The bass drops back down to that understated, supportive role.
- 1:46 – Instrumental Solo: Notice how the bass provides a solid foundation for the solo without overplaying.
- 2:31 – Chorus 2: The bass swells beautifully to drive the final chorus home.
- 2:52 – Outro: The track begins to resolve smoothly, with the bass holding down the final chords.
Song Information
Title: Come Away With Me
Artist: Norah Jones
Album: Come Away With Me
Bassist: Lee Alexander
Difficulty: Beginner
Tuning: Standard Tuning
Key: C Major
Tempo: 77
Bass Diary Entry
Another one that didn’t quite fit into my usual listening habits growing up, but was played a lot by my parents, so it naturally became part of the soundtrack of those early years. It’s one of those songs that you don’t necessarily choose yourself at the time, but it quietly sticks with you anyway.
For me, this has always been the definition of perfect Sunday morning listening. It’s relaxed, warm and completely unhurried — the kind of track you can just let play in the background while everything else slows down a bit. There’s a real sense of calm to it that makes it timeless.
Coming back to it now, I can really appreciate just how well crafted it is. Everything is understated but intentional, and nothing feels out of place. It’s a great example of how powerful simplicity can be when every element is working together in the right way.
From a bass perspective, it’s all about subtlety and feel. The bass line gently underpins the harmony, never stepping into the spotlight but doing exactly what it needs to do to support the song. It’s a brilliant exercise in restraint — focusing on tone, timing and touch rather than complexity.
It’s another reminder that not every great bass line needs to be busy or technical. Sometimes, the best thing you can do is just sit in the pocket and let the song breathe — and this track does that beautifully.
Session Notes: Tone & Technique
The Groove & Harmony
Come Away With Me is a true masterclass in space and musical restraint. Driven by a gentle, swaying waltz feel, Lee Alexander’s bass lines focus primarily on strong root notes and subtle passing tones that beautifully outline the C Major progression. The challenge here isn’t speed or fretboard complexity; it’s timing. To capture the magic of this track, you need to play deep in the pocket—sitting just slightly behind the beat to create that laid-back, unhurried atmosphere without dragging the tempo.
Emulating the Upright Tone
Alexander recorded this track on an acoustic upright double bass, which gives the low end its signature warm, woody thud and a naturally quick decay. If you are learning this on a standard electric bass guitar, your main goal is to replicate that vintage acoustic warmth.
To get the tone right:
- Control your sustain: Upright basses don’t sustain like electrics do. If you are using standard roundwound strings, try using a light palm mute (or sliding a piece of foam under the strings at the bridge) to shorten the lifespan of your notes and give you that authentic jazz-pop thump.
- Roll off the highs: Turn your tone knob completely down to remove any modern top-end click.
- Change your plucking position: Move your plucking hand away from the bridge and play right up over the end of the fingerboard to get a fatter, rounder sound.
Get the Official Sheet Music
👉 Download from Sheet Music Direct
👉 Download from Sheet Music Plus
👉 Download from MuseScore
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